I’m a designer interested in experimental, semiotic-led approaches to visual communication, exploring how meaning can be constructed and interpreted through form. My work is driven by curiosity and experimentation, using process as a way to question how visual language operates rather than simply applying it.

I have a particular interest in bookmaking as a space for developing ideas over time, using structure, and material to shape how work is read and understood. I’m focused on building a practice that balances conceptual thinking and physical outcomes.